From the Collections
Stories and behind-the-scenes information on the rich holdings of our Library archives.
Selected letters by Mary Baker Eddy from the Library’s collection are available for purchase. They shed light on Mary Baker Eddy’s own spiritual growth, her loving care and counsel to students, as well as on her spiritual insights and healing ideas.Advice to Healers,...
Dr. David Holland, a Research Fellow at The Mary Baker Eddy Library and Associate Professor of North American Religious History at the Harvard Divinity School, and Mike Davis, Senior Researcher at The Mary Baker Eddy Library, held an online audiocast discussion, with questions from the public, on how The Mary Baker Eddy Library collections are bringing about new understanding of Mary Baker Eddy.
Mary Baker Eddy treasured this framed photograph of her grandson George W. Glover III, which she kept on display in her living room.
To commemorate the publication of the Emancipation Proclamation, artist Francis Bicknell Carpenter (1830-1900) sought to depict President Lincoln reading it to his cabinet in September 1862.
One hundred and twenty years ago this month (January 6, 1895), the original Mother Church edifice was dedicated in Boston. Its cornerstone had been laid less than eight months before.
Learn about Mary Baker Eddy’s Christmas gift to Sunday School children in 1904.
Learn about portrait artist Alice Barbour’s iconic portrait of Mary Baker Eddy, completed in late 1910.
In 1889 James Clare (J.C.) Derby (1867-1928), a resident of Concord, New Hampshire, repaired watches at 54 N. Main St. The Concord Directory records that he later worked at Holland & Derby at the same address. By 1898 his occupation was that of jeweler. Derby worked that same year with Mary Baker Eddy and Henry P. (H.P.) Moore, a local artist and photographer, to produce and issue a portrait of Eddy.…
In 1897 a diamond hair ornament, shaped like a crown, was given to Mary Baker Eddy. The ornament contains 12 diamonds, six large pearls, and 39 small pearls set in an 18-karat gold crown, with a band of indigo blue enamel across its middle. Engraved on the back is the inscription “Mother 1897.” The ornament is a “combination pin,” as described by its donor, Amanda Baird — meaning it could be worn as a hair pin or used as a brooch.
Calvin Frye worked for Mary Baker Eddy longer than anyone else, as both a secretary and bookkeeper. His service from 1882 to 1910 (with only one day of vacation!) is an incredible testament to his devotion to both Eddy and Christian Science, and to her appreciation of his talents.
Learn why several selections meant so much to her.
Find out how young people contributed to the construction of The Mother Church.
Read how an early missionary activity developed to serve New York’s seagoing community.
This painting hangs as a symbol of New Hampshire’s regard for a native daughter.
A business expense report points to rich stories.